Week 45- Queens of the Stone Age- Perfecth

This is the ninth studio album from Queens of the Stone Age, “Perfecth” (a weird fucking name), released on 30th October. It doesn’t stick to their traditional desert-rock sound; it’s more experimental, with unusual arrangements, simpler production, and a more laid-back sound.

To me, it sounds more like Josh Homme’s side project with Polly Jean Harvey, Desert Sessions, than a quintessential Queens of the Stone Age album. I would describe it as having a lo-fi sound, especially ‘It’s Only Love’ and ‘Mono’, where I noticed jazz-inspired drumming. ‘Insignificant Other’ has a smooth groove, and ‘From the Cliff’ has a softer, acoustic feel.

‘Where the Goth Girls At?’ is the only track I could find with that classic Queens of the Stone Age sound; it has swagger, heavy riffs, and a familiar edge. New rhythms and textures are found on ‘Sunday’ and ‘Easy Street’, and the last two tracks‘, Phantom Limb’ and ‘Run Away from the Mob’, are more atmospheric.

‘Where The Goth Girls At?’ is the one song that truly sounds like classic Queens of the Stone Age, with its heavy riff, swagger, and familiar edge. Meanwhile, ‘Sunday’ and ‘Easy Street’ try out new rhythms and textures, and ‘Phantom Limb’ and ‘Run Away From the Mob’ give the album a more atmospheric ending.

I found the record unconventional yet interesting, as it’s more experimentally focused than big rock anthems. It’s an acquired taste, but you have to admire the band’s openness to new ideas, even if their usual riffs and energy are few and far between. As I mentioned earlier, it’s more Desert Sessions or Josh Homme and Dean Fertita than Queens of the Stone Age. Be patient with it.

Song recommendations: ‘Mono’, ‘Where the Goth Girls At?’ ‘Phantom Limb’

7/10

Week 44: My Chemical Romance- The Black Parade (20th Anniversary Edition)

My Chemical Romance has released a 20th-anniversary edition of their 2006 album “The Black Parade”, celebrating its influence on alternative rock. The album is quite dark as it addresses death, grief, and survival. It marked a turning point for the band; it was dramatic, had strong melodies, and featured profound songwriting. The 20th edition includes the original tracks, three B-sides, and three live tracks, giving the fans another chance to enjoy a landmark record.

I will now summarise each track, ending with my overall verdict:

The End: A dramatic acoustic intro grows into an explosive opening, setting the atmosphere for the whole album.

Dead!: Fast, energetic, upbeat, mixing catchy guitar riffs with dark humour.

This Is How I Disappear: Heavy, emotional, strong chorus and aggressive guitars.

The Sharpest Lives: Sharp riffs, catchy melody, punchy rock.

Welcome to the Black Parade:The band’s anthem with a sombre piano intro.

I Don’t Love You: A heartfelt ballad with a spellbinding guitar solo and soaring vocals.

House of Wolves: Bluesy rock, lively, playful rhythm, energetic.

Cancer: Short, powerful, and very emotional piano ballad.

Mama: Chaotic, eccentric, theatrical, cabaret blended with military rhythms and explosive guitars.

Sleep: Atmospheric and dark, gradually building to an emotional, intense climax.

Teenagers: A catchy rock anthem with biting humour and a memorable chorus.

Disenchanted: Addresses disappointment and lost innocence.

Famous Last Words: Rebellious anthem.

Blood: Started life as a hidden track. Mischievous, dark humour and a piano-driven outro.

Bonus tracks:

Heaven Help Us: An energetic B-side with soaring melodies; it could easily have featured on the original album.

Kill All Your Friends: I do not believe it was named after the book and film about the music industry. It is dark, funny, catchy, and has an amazing chorus.

My Way Home Is Through You: Aggressive, raw, punk-inspired.

Dead! (Live from Hoboken): The epitome of live.

The Sharpest Lives (Live from Hoboken): Less refined live. Capturing the essence of guitars onstage.

Someone Out There Loves You (Live from Hoboken): More emotional.

Outro:

The album still sounds great even after twenty years. The album spans the band’s spectrum: ‘Welcome to the Black Parade’ is anthemic, ‘Cancer’ brings emotion, and ‘Famous Last Words’ is bold, so your interest seldom wanes. The bonus B-sides show the strength of their songwriting back then, and the live tracks show their onstage presence. The bonus tracks make this special edition even more special to listen to, and I am not even a fan.

Song recommendations: ‘The Sharpest Lives’, ‘Welcome to the Black Parade’, ‘My Way Home Is Through You’

8/10