The original album, released in 2023, was recently re-released as a 72-hour limited edition for Valentine’s Day, a move that propelled it to the top spot on the charts after initially entering at a humble 90 two years ago. Sonically, it may not be groundbreaking, but as a recorded extended play, the clarity is exceptional. It’s crystal clear, with no soundboard interference. What’s truly impressive is the balance between the crowd and the performance. The crowd’s energy is palpable, adding a unique dimension to the recording. It didn’t use in-ear monitor recording, which makes it stand out.
This EP has been panned in the past for lacking the energy of her usual live shows, but I absolutely love “Lover (Live from Paris)” because it is Taylor laying her soul with acoustic versions of songs familiar among the Swifties. I have always said that I admire Taylor’s acoustic performances, so even though this record is only half an hour, it was a joy to listen to it, especially ‘Death by a Thousand Cuts’, sounding like a blend of Travis and The Libertines during the verses. ‘Cornelia Street’ sounds like The Script and Train. ‘The Man’ sounds like Ed Sheeran. Of course, some of the tracks have more to them. What I mean is some substitute the guitar for a piano, and some go electronic. However, it is the acoustic guitar tracks that shine for me.
If you dislike Taylor’s music, you might change your mind after hearing her perform acoustically. Now, I am not a Swiftie, but I do enjoy listening to her music, especially when she does intimate shows on the acoustic. This is where you can hear the songwriter in all their glory.
Song recommendations: ‘Death by a Thousand Cuts’, ‘Cornelia Street’, ‘The Man’
Wahey! a better number one than last week’s pile of shite. Louis Tomlinson is known for appearing on some talent show on ITV, where One Direction was born. Louis was with the band until they “split” in the last decade. Albeit, he was on the books of Doncaster Rovers for a while, despite it being a member of the boy band. That ended after the Stiliyan Petrov charity match in 2013 at Celtic Park when Louis, in the hoops, was brutally tackled by Gabriel Agbonlahor (sporting the gold away kit.) and vomited by the by-line and came off. He wasn’t on for that long before that happened. It seemed to have given those inside Paradise a chuckle.
Anyway, the weirdest thing about Louis doing a solo project since the “split” is no one saw it coming because he never gave you a clue that he would do anything in that manner. He was still trying to figure out what he planned to do. There was no mention of starting/joining another band, either. I reckon it was pure peer pressure because within a year of One Direction “splitting”, Zayn Malik, Niall Horan, and Harry Styles had albums out. He released his debut “Walls” in 2020, which was met with praise by the Directioners (super fans.), and for the rest of us? Well, we weren’t impressed. It was neither here nor there. It was just a standard record.
What people might only be aware of if you happen to be a Directioner is that Louis was the most prolific songwriter in the band. Hard to believe when you had the likes of Harry and Niall. He is also responsible for the change in direction the band had in the latter years. He brought more of a rock element, which was fit for the stadiums they were playing.
Although I am left unimpressed with his vocals on “Faith in the Future”, I was impressed with the overall production. For example, ‘the Greatest’ combines the Script and Imagine Dragons, and ‘Written All Over Your Face’ is modern indie. The album teaser ‘Bigger than Me’ has an acoustic accompanying an electric guitar, with a steady drum beat in the verses that turns into a marching beat during the bridge before the song rises into an explosive chorus. ‘Lucky Again’ is another modern indie track. What do I mean by this? Listen to Indie radio on YouTube, and you will see that it would fit perfectly on those live broadcasts. ‘Face the Music’ has a steady rhythm guitar that has a frantic riff alongside it, and ‘Saturdays’ is a mid-tempo song about the brutal reality of splitting up with someone (Maybe in Louis’ case, it is veiled. Meaning it could be about One Direction?).
Okay, the voice may need to be ready for these songs in vast arenas for a tour next year, but the songs are in place. Dare I say it, the majority are prepared for stadiums, should he decide to do that for the tour.
I have heard many pan this album saying it is “boring” and “wannabe Arctic Monkeys”. However, I disagree with what seems like the majority. Apart from the dull moments towards the end, I found it a brilliant, quintessential indie record.
Song recommendations: ‘Bigger than Me’, ‘Written All Over Face’., ‘the Greatest’
I will do a track-by-track review of the Script’s first greatest hits album. I might add that I was disappointed that my favourite track, ‘the End Where I Begin’, wasn’t featured:
Breakeven:
This was their third single off the self-titled debut album and followed a specific song theme pattern. However, this track was more hard-hitting and spoke about one person from a former relationship “falling to pieces” and not wondering what to do while feeling choked up when the other seemed to be “okay” about the breakup. Danny O’Donoghue’s melancholic and heartfelt vocals deliver this song with conviction.
the Man Who Can’t be Moved:
The music video tied in brilliantly with the lyrics and the theme. Again, taken from the debut album, this track was the second single and depicts a man who will not move from the corner of the street until the woman he loves shows up and feels the same way. Indeed, the man in the song asks people to tell her where he is. This indicates a metaphor for being in a relationship. While it might be falling apart, the man will fight to show his heart is still in it. Again, Danny’s vocal delivery makes the song believable.
For the First Time:
This track would be the teaser for their second record, “Science & Faith”, released in the late summer of 2010. It stays within the songs off their debut album. Indeed, it might have been written back in 2007 when they went into the studio but wasn’t quite ready to feature on a record. The track is similar to ‘Breakeven’ again. It is aptly named because they fall back in love like it was for the first time. However, this time, there is still a relationship ongoing, albeit in a dire state, but both are willing to act like adults to make it work, which happens by the end of the track. Again, the lyrics are about fighting to save a relationship with lyrics like “Oh, these times are hard, yeah they’re making us crazy, don’t give up on me baby”.
Nothing:
The second single off, “Science & Faith”, ‘Nothing’ showcased Danny’s vocals with the ability to be a swooner and blend thatwith his forte of being heartbroken at the same time. The guitar riffs and the piano took you to a place where the Script had yet to achieve on their debut.
Hall of Fame:
Taken from their 2012 and rightly named album “#3”, the band teamed up with Danny’s fellow mentor on the Voice and the Black-Eyed Peas member, Will.I.am. However, I am not a fan because, in general, I am not a fan of Will.I.am. He spoiled the latest Black-Eyed Peas album with that shitty software I can’t stand that alters your voice and makes it sound bloody awful rather than improving it. To think, Tupac was a fan of theirs back in the early 1990s. If Will weren’t on it, I would like it because, as usual, Danny’s singing and rapping are excellent.
If You Could See Me Now:
The third single from “3” is more about closure as the band discusses personal loss. Danny talks about losing his father on Valentine’s Day suddenly the previous year, and guitarist Mark Sheehan wanted the lyrics to include the loss of his mother after a long battle with a horrible illness a few months before Danny’s loss. Just listening to it, you could hear that the emotion was still raw and resonated with all of us when experiencing the feeling of losing someone close to us as well. A piano can be heard at the intro before Danny raps the opening verse. The tempo attracts your ear, and the lyrics make this a heartfelt song. The chorus is kind of catchy, albeit melancholic.
Superheroes:
The teaser for the 2014 album “No Sound without Silence”, Superheroes isn’t my bag, and I have never enjoyed the track. It just didn’t have that get-and-go like their songs do. They just seemed too safe sonically. Lyrically? They are up there with their best.
Six Degrees of Separation:
The second single from “#3” is a masterpiece. It perfectly explains what we feel after breaking up with someone we fell deep for. Bizarrely, despite the topic, it is quite an uptempo ballad. The chorus is where Danny’s vocals spring to life as he delivers the details with raw emotion, and surprisingly, it is catchy for such a thought-provoking track.
Rain:
This would be the teaser for the record, taken from 2017’s “Freedom Child”. Again, another song of theirs I am not a fan of. I was impressed by Danny’s falsetto, but I don’t know. The track just didn’t fit at all.
Arms Open:
The second single from “Freedom Child” again is lyrically beautiful. The message is that it doesn’t matter if you are alone when dealing with something because there will always be someone to hug you through the bad times. I found the song to be a traditional song for the Script, and the stripped-back sound elevated Danny’s vocals while the listener could relax and feel at one with themselves. It is worth checking out the video where the band worked with the charity A Sense of Home, which helps children find homes who are too old to be in foster care.
the Last Time:
The teaser off their latest studio album, 2019’s “Sunsets & Full Moons”, was released in November, a few months before all this shit happened across the world. As the title suggests, it deals with one of the lovers feeling like they are seeing the other one “for the Last Time”. The band sure knows how to draw the listener in with the relevant topics and the catchy melody, and of course, Danny’s vocals make this another great track by the Script.
Run Through Walls:
It is the second single off the aforementioned album. Once again, it was a brilliant subject and lyrics by the band. Just read this from thechorus; “I’ve got friends that will run through walls, I’ve got friends that will fly once called when I’ve got nowhere left to go, and I need my heroes, I’ve got friends that will run through walls”. Have you read them? Catchy as fuck, wonderfully executed with falsetto vocals, and what a beautiful message about the real ones who have your back and who are not related to you. The first verse addresses how true friends have saved his life (Whoever that is, I am not sure of because the band share ideas, melodies, and lyrics together.), and the second verse, the death of his mother, is brought up, and how the real ones were there and helped him through it.
Before the Worst:
The final single off the self-titled debut album again shows Danny’s vocal ability. It is about a boyfriend trying to return to the point of the relationship where everything was right and they were happy. The lyrics are typical heart-wrenching verses and choruses by the band. I also felt it sounded (in the chorus at least.) melodically like Kate Bush’s ‘Running up that Hill(A Deal with God)’. Yes really. Pay close attention to Danny’s delivery next time.
We Cry:
The teaser off their debut album, and as you have already worked out, the single that started it all. It caught your ears back in 2007 because there was no band coming out of Ireland who mixed guitar music with rapping (Sorry if I have made a mistake there. I think the rapper Redzer might have done that. I am not sure at the time of writing.), and that was refreshing to hear. Now, at the time, I listened to this song unconsciously, and my interest came in when ‘the End Where I Begin’ was featured on a FIFA console game soundtrack. The track has many different characters talking about their struggles, from a teenage single mother to a drug addict, et cetera. Danny described the melancholic song as people who are all experiencing hardships coming to cry together and, therefore, sharing the burden.
Science & Faith:
The title track off the 2011 album would be their last single. The song is up there as a fan favourite because it is a wonderfully composed love song. The lyrics are always the standout and why the band is well respected. It talks about finding “the one” and how, even though there are bumps along the way, you are destined to stay together until the end, which is quite a surprise from most tracks by the Script. I heard this song is written from Mark Sheehan’s point of view. Considering the song’s name, it all makes sense and falls into place.
No Good in Goodbye:
The second single from the 2014 album “No Sound without Silence” made my ears prick up. I love the wordplay used in thechorus and the metaphors in the verses. Again, the band touches on heartbreak and how to overcome it. The chorus was melodically similar to Duran Duran’s ‘Ordinary World’.
Never Seen Anything “Quite Like You”:
A surprise on “Tales from the Script”. This is the first and only track not to be released as a single. It is taken from the 2014 record “No Sound without Silence”. Many may disagree with me, but I heard elements of Ben Folds Five and fellow Irish band the Corrs. I could imagine Sharon Corr playing the fiddle and Ben on the piano. This love ballad is upbeat, and you can imagine this being played on St Paddy’s Day with everyone clad in green, stamping their foot, and clapping in time with the beat. Even the Script can write upbeat songs once in a while.
I Want it All:
It’s the exclusive teaser for this very album. The song contains all the elements associated with the band, and as usual, the lyrics stand out and pull away at your heartstrings. The music is sad yet subtle and goes along slowly, which is appropriate for an album closer. Danny’s vocals are once again on point even after two years out, and of course, the current climate prevents the band from touring all of last year and some of this year. His voice hasn’t waned during that period, nor have the band gotten rusty or lost their edge. Expect this one to feature in their live shows coming up shortly.
Song recommendations: ‘No Good in Goodbye’, ‘Never Seen Anything “Quite Like You”‘, ‘Run Through Walls’
Frontman Danny O’Donoghue and Mark Sheehan have known each other since childhood, so, as you can imagine, history adds to the chemistry before drummer Glen Power was recruited. Still, the harmony was already set in place, so it didn’t cause any problems with him joining and helping the band further find their wall of sound and identity. Quite predictably, the band scored number one with their debut album back in 2008 in mother Ireland, with hits such as “We Cry”, “Breakeven”, “the Man Who Can’t be Moved”, and my favourite off the self-titled debut album, “the End Where I begin” not just capturing the attention of their homeland, but the world over. The style of music they are famed for doesn’t just revolve around one genre, but quite a few blended, which is pop, rock, hip-hop and r&b, and helped with their sophomore album from 2010 titled “Science & Faith, and then their third and fourth albums, “#3” and “No Sound Without Silence” released in 2012 and 2014 respectively.
On their latest record titled, “Freedom Child”, the band have decided to experiment and take up the challenge of adding different sounds to their tracks and choosing to head down the electronic route this time (No, not the band from the 1990s co-fronted by Bernard Sumner and Johnny Marr). So, after the band took a short break from the scene, have they become rusty, and does this new direction to their sound work for them, or is it a gamble that didn’t pay off?
The record takes no prisoners and is honest, noble and positive. Of course, you are wondering if there is the trademark originality that we’ve become accustomed to with their sound, and the answer is, yes, it is still there but with electronic pop blended into it. Will you love it or hate it being a fan of theirs? Well, it is like marmite, so the choice is entirely yours. Give it a chance, though, because it is still an excellent record, and the message conveyed within the record is their usual love over hate.
The intro is very refreshing indeed. Almost like the band were recording on a cassette recorder as you hear the tape being into the player, and then a bass riff that becomes lodged into your head follows. The record then starts with “No Man is an Island”. A third-person perspective tells the band that regardless of how they feel, he/she is there to help them through. It is noticeable that Danny’s vocals have matured and improved since the previous records as he sings along with the electronic reggae sound.
The next track I will talk about is “Arms Open”, your more traditional song for the Script, where the stripped-back sounds elevate Danny’s vocals while the listener can relax and feel at one with themselves.
I also liked the catchy “Deliverance”, a Sonic Youth-type song with pop added in. It is highly bass-heavy, but it has a fast tempo to capture your soul and make you feel the music instead of losing interest. I also loved the political messages conveyed in this record. Especially the track “Divided States of America”. The name even screams political and controversial as you know, it will be aimed at the current president, Donald Trump. This track encourages everyone in the States to notice what is happening and unite during these times rather than fight against each other.
The sound used is entirely military-minded as Danny sings over drums that resemble a marching beat you hear at military parades worldwide. He may talk about violence, hate, racism, et cetera on this track, but the ultimate message conveyed to the listener says, “You better reconcile before it is too late, and we become consumed by hate that ultimately end with war and death”.
“Written in the Scars” is an intense track and talks about all the times Danny has been hurt over gently plucked guitar strings that further add to the effect of the subject. The song leaves you with a sense that we should wear our battle scars with pride and how they have shaped us through the years to grow stronger and overcome whatever caused the wounds in the first place. Although a deep track, it is worth noting that Danny sings confidently about the matter.
This is the standout track on the 14-track album for that very reason. Some of us who have listened to the record might not necessarily live in America (Referring to “Divided States of America”), but we all carry scars from events in our lives that are lessons of life that help us get more robust and wiser when they start to heal. A very sobering track, but a message we can all relate to.
The penultimate track is “Awakening”, which is an interlude with angelic piano sounds that leads you into the closing track, which is also the title track (I’m not even going to divulge what it is called. You should already know if you have been paying attention.), which is kind of like a mantra to remind you to be free, love rather than hate, and always to dream and block out the white noise that surrounds us in everyday life—a very uplifting message to end a very upbeat record.
My only real qualm with “Freedom Child” is that some of the songs could have spent more time in the studio being fine-tuned. Also, only half the album captures your attention, despite the lyrical content and the issues grabbing hold of you. The record as a whole is inspirational and full of honesty rather than being blinded by ignorance, which so many sadly in this world would instead be consumed by, rather than being awake to what is happening. Although I have said that only half the album is worth listening to, several tracks in this review that I have mentioned will capture you and render this album worth a listen and a gamble that has paid off sonically for the band.
Honest Opinions 