Week 4: You Me at Six- SUCKAPUNCH

Wow, it has been 14 years since the debut album and seven records later, You Me at Six are very experimental on their albums. 

“SUCKAPUNCH” is no exception, although you can still hear a familiarity with the band’s wall of sound. The record contains personal fables and their desire to keep pushing the boundaries. Leading vocalist Josh Franceschi said they must push the boundaries to let the industry know they are still around. Indeed, the current shitstorm going on in the world inspired them to push those boundaries and do whatever they wanted sonically while bringing new ideas across various genres they have flirted with in the past and other experimental sounds they were venturing into on this.

Look at “Beautiful Way”; it is more Drum n Bass than the genre they are pigeonholed in. Then “SUCKAPUNCH” is what you would hear a disc jockey mixing in the nightclubs, with its roots firmly in Techno. The smatterings of Dubstep on the album make some tracks ideal for playing in clubs and raves when that day comes again. Of course, the band does return to their generic sound on tracks like “Kill the Mood”.

However, at the halfway point, the track “Glasgow” brings a brief lull on the uplifting and energetic album. “Adrenaline” soon sees an end to the break. “What It’s Like” takes you back to the familiarity of their sound and harks back to the days of “Lived a Lie”. 

The band has played it pretty safe even though it is obvious they have experimented (Maybe that’s why I found it all too familiar? Because they never stop being experimental.). Their guitarist, Max Heyler, said they have grown up with their music, which I concur with, but I need to find out where the sound has changed. I can still tell that I was listening to a You Me at Six album, but I found the club music element very welcoming. The majority still has some form of familiarity in it. However, I did draw parallels with them and their fellow English counterparts Hadouken when I heard the Dubstep tracks. Some might disagree with me calling it a “Safe” record, but they haven’t done anything I am surprised about. If they venture into country or classical, then I will be.

Song recommendations: “Beautiful Way”, “SUCKAPUNCH”, “What It’s Like”

7/10