Week 11: Ariana Grande- Eternal Sunshine

Let’s dive straight into the track-by-track review:

intro (end of the world):

This short intro consists of guitar plucking an orchestra and vocal layering as Ariana asks questions about being in the right relationship.

bye:

From the intro, Ariana has made a decision: The relationship isn’t the right one for her. She conveys this over a power ballad inspired by the 1970s fused with disco-pop. I also loved her cheeky lyricism, where she says, “This hook feels too hard to sing.”

don’t wanna break up again:

Even though she expressed about leaving the relationship in the previous track, in this one, she doesn’t want that to happen because she doesn’t enjoy it when a relationship ends. She mentions crying herself to sleep while her boyfriend watches the television and turns up the volume to drown out her sobbing. She also toys with his emotions, which breaks his heart. Look out for the infectious chorus on this one.

Saturn Returns Interlude:

Someone can be heard uttering something. I don’t know what exactly. I have no interest in interludes.

eternal sunshine:

We arrive at the title track, where Ariana longs to clear her memories of the toxic relationship that consisted of arguing, lying, and cheating. This track occurs after the relationship has ended and both have moved on. In the song, she expresses that her current boyfriend is all she ever wanted. This is a quintessential Ariana song, but it has been included to keep on topic with the rest of the album.

supernatural:

Over this beaming ballad, she discusses that even though love can be a rollercoaster, we cannot live without love. Mariah Carey’s songs inspire the chorus during her prime in the 90s. Ariana’s vocal harmonies are the icing on the cake.

true story:

She now goes full-on 1990s RnB, and it is no surprise that it works because Max Martin was responsible for producing quite a lot of this genre back then. It reminded me of what the late Aaliyah, TLC, et al. did in the 1990s. I also heard En Vogue on this one, too. As for the story, Ariana becomes the evil girl/villain, which is a humourous dig at the media. Rumour has it that this song started as a parody track and was used for a shelved comedy project, so it comes across as cheeky and playful.

the boy is mine:

Ironically, it has the same title as the hit by Brandy and Monica, but even more ironically, the song is old-school R&B. This track, however, is about stealing a boyfriend from another woman. Ariana has fun with her sarcastic delivery and tongue-in-cheek lyrics.

yes, and? :

This is my favourite track off the record. It reminded me of all that 1990s R&B fused with house that I grew up with. Lyrically and sometimes sonically, it nods to Madonna’s ‘Vogue’. It is extremely upbeat and rather out of synchronisation with the rest of the album.

we can’t be friends (wait for your love):

As you may be aware, Ariana is going through a divorce at the moment, which explains the narrative of the record. This track is about her cutting him off and trying to avoid the media’s attention while she deals with it. Look out for the catchy hooks and yet more brilliant songwriting by Ariana.

i wish i hated you:

There’s nothing fancy by her vocally on this emotional ballad. Instead, you will hear her voice in its purest form over a cosmic-like production. This song got the better of her as, at certain moments, you can hear her voice crack as she expressed that she finds it hard to leave him because she doesn’t hate him. 

imperfect for you:

This one was a shock. Considering her age, I was surprised the 60s would inspire her, but this has a Beatles psychedelic phase vibe. Don’t be fooled by the psychedelia within because this is another heart-wrenching ballad addressing her issues with depression and how it makes her relationships challenging.

ordinary things (ft Nonna):

As far as I knew, this was the only collaboration I heard on the album. This is another ballad that goes full circle with Ariana asking the question she did initially, concluding that the simple things only matter when you are with the right person because luxurious and materialistic items will never conquer love. Who is Nonna? Well, it’s her grandma, and on the coda, which is spoken, her grandma is giving advice about what to do in a relationship, and if she feels she can’t or is uncomfortable, then it is time to move on. 

Song recommendations: ‘yes,and?’, ‘supernatural’, ‘i wish i hated you’

8/10

Week 1: Michael Bublé- Christmas

You can tell that 2021 is just going to be as fucked up as last year. Why? Because we have already heard what the great soothsayer Nostradamus has said (Zombie apocalypse, asteroids, and famine. If you didn’t know.), and there’s a fucking Christmas-themed album at No.1 on New Year’s Day! I mean, how fucking depressing is that when we have only just finished celebrating Christmas not that long ago! I was thoroughly depressed listening to the album to review, knowing that it’s another 350 odd days until Christmas day again.

As you know, Michael Bublé is a French-Canadian singer who has been around for quite some time now and usually performs quite regularly for the BBC in England, be it on radio or television. I believe he has even performed at Last Night of the Proms. He scored his first No.1 album in 2007 with “Call Me Irresponsible” among several charts in Europe, Australia, The United Kingdom, America, and his native Canada.

“Christmas” was released a decade ago, and funnily enough, it was also no.1 on New Year’s Day in 2012. It is one of the most critically acclaimed Christmas albums of all time. In 2012, it won a Juno Award for the album of 2011. You would have thought that nine years after its initial release, it wouldn’t generate the sales to be number one a decade later. Still, it appears that “Christmas” was bought for household-only gatherings and family members as a present, making this possible.

Michael puts his slant on Mariah Carey’s 1994 hit “All I Want for Christmas is You” and has fun with the jazz band on “It’s Beginning to Look a Lot Like Christmas”. “Silent Night” is another standout with its elementary yet melancholic tones, and if you want to smile and laugh, then “Santa Baby” is for you with its male point of view. There’s room for a duet with another Canadian artist, Shania Twain. Their rendition of “White Christmas” is something to behold, and you will get tingles listening to it.

This classic Michael Bublé album will bring him another generation of fans who may not have discovered him yet. This album is uplifting, sometimes melancholic, and full of smiles and laughs. If it was on the build-up to Christmas or it was Christmas, I would undoubtedly be in the mood to enjoy it more. It’s a bit shit hearing an album based around Christmas when it has already been and gone. I tend not to go out of my way to listen to Christmas albums unless I happen to be at a party or writing reviews where the album of the week is about the theme. So, I can’t say if I would classify this as my favourite Christmas album as I don’t listen to them.

However, towards the end of 2020 and the beginning of 2021, I listened to my fair share due to writing reviews and enjoyed them. This is up there with Michael Ball & Alfie Boe’s for me. Why? Because they are both full of humour. It could well be that Bublé’s album inspired Michael and Alfie. Those who love Christmas will find this appropriate for Christmas parties (If we can have them in the new year and beyond.), listening in the car, unwrapping presents, Christmas dinner, or just relaxing by the fire while drinking mulled wine or egg nog. What an album to review to start the new year, eh? So, I will very sarcastically wish you all a Merry Christmas. It’s going to be another fucked up year, so I might as well. Remember, there are only three more lockdowns until Christmas.

Song recommendations: “White Christmas”, “All I Want for Christmas is You”, “It’s Beginning to Look a Lot Like Christmas”

8/10