Week 7: Noah Kahan- Stick Season

I was astonished to discover that “Stick Season” was released in 2022, with the latest single ‘Homesick’ released last month. The album is named after autumn before the snow arrives in New England. 

In 2020, Noah teased the title track on TikTok, which inspired many covers, several reviews, and comments by the likes of Maisie Peters, who I reviewed last year.

I don’t know much about Noah, but his first two records were quite poppy, whereas his third effort is all-out folk. This album is almost certainly folk. It sounded like a combination of Mumford and Sons, Hozier, Lumineers, and Vance Joy. Noah said in an interview that this is the kind of music that he prefers to do. God knows why, then, the first two records were pop. It’s probably pressure from the label for marketing purposes.

Along with Gabe Simon, Noah himself is on production. That doesn’t particularly stand out for me because folk is easy to listen to. It’s the songwriting where this album is at. You would think, as this record was done during the midst of the lockdowns, that it would be centred around that, but no. Noah chose a more reflective album where he wants to leave home, longs for home, and deals with the unfinished business of returning.

He addresses several subjects, including mental health, such as ‘Growing Sideways’ and ‘Stick Season’ of growing tired of home. The latter sees Noah talk bluntly about hating home. The record closer, “The View Between Villages’ is about when he drove back home. He feels excitement returning, but he also knows he will start to loathe the idea. It is apt that it ends with him on a journey because the album is life’s journey. In the beginning, he is angry; during the midway point, he is feeling sad, and by the end, he has accepted life. I found it hard to pick song recommendations because I like the bulk of the album. My choice varies the more I listen to it.

Song recommendations: ‘Growing Sideways’, ‘Northern Attitude’, ‘The View Between Villages’

8/10

Week 25: Maisie Peters- the Good Witch

The first I heard of Maisie Peters was a recent segment on television about her supporting Ed Sheeran. The 23-year-old signed with Atlantic after releasing two singles independently and released two EPs under Atlantic and the soundtrack for a British comedy series titled “Trying” for its second series.

In 2021, she left Atlantic and joined Ed Sheeran’s Gingerbread Man Records. This album is a joint venture with Gingerbread Man and Asylum. Her debut record was released Gingerbread Man titled “You Signed up for This”. Despite it not hitting the top spot, Ed has taken her on the road (As mentioned in the paragraph), so she is getting more exposure, and no doubt touring with Ed on his “Mathematics” tour has seen her sophomore album reach the acme. 

I listened to “the Good Witch’ via her YouTube, and I thoroughly recommend watching the lyric videos to the tracks. The lyrics are displayed on what appears to me as tarot-like cards. And fuck me; the lyrics are fucking mind-blowing. She is a phenomenal songwriter. I wonder how someone who didn’t grow up in a town or city can write so much. 

From the title track, I was immediately hooked by the absolute brilliance in her songwriting. How one talks about their rollercoaster emotions and keeps it interesting is mind-blowing. Aside from its lyrical brilliance, ‘Coming of Age’ is a three-minute pop song with panache and sets the tone for the rest of the record.

‘Watch’ is good regarding Maisie’s delivery, where she goes from melancholic to pure rage. ‘You’re Just a Boy (And I’m Kinda the Man) rips to shreds an ex, and she mocks him for good measure by professing she was “the man” in the relationship over a Katy Perry-esque dream-pop beat. Think Katy’s ‘Last Friday Night (TGIF)’. ‘Run’ is a mild drum n bass track, albeit under three minutes. I hope Hedex gets hold of it and adds a banging remix. ‘BSC’ stands for Bat Shit Crazy, and when you listen to the lyrics, it is hard not to laugh at the humour displayed by her, yet with a sincere delivery. I haven’t mentioned ‘the Band and I’ yet, which features early on in the record. Wow, oh, fucking wow. Amazing track with Ke$ha-like vocals where she tells in great detail about life on the road.

‘Two Weeks Ago’ is slightly confusing when you hear the chorus because instead of explaining her current mood, she declares, “God, I wish it was two weeks ago’. Her hooks on the album are extremely catchy, and the echoed lines will certainly be sung back at her on tour. The record ends with ‘There it Goes’, which is about letting go of love that is covered in snow. By this, she means that their love is cold and doomed to fail. I thoroughly enjoyed this record, which moves from dream-pop to ballad, to dance, to drum n bass, where she discusses relationships and breakups bluntly with the occasional sarcasm and humour. The album is also radio-friendly, with no one track over four minutes. It may be a short listen, but it works.

Song recommendations: ‘Run’, ‘the Band and I’, ‘You’re Just a Boy (And I’m Kinda the Man)’

9/10