Koffee

Week 5: Sam Smith- Gloria

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As everyone who reads my reviews knows, I reviewed Sam’s last two albums, which were less than complimentary. Straight up, brutally honest about how they sounded the same as his debut. He left his comfort zone twice on the last record, and every song sounded like the previous. However, this time, I am pleased to inform you he has left his comfort zone when tackling new genres. He has, on the main, stuck with his usual falsetto vocals.

Sam has also changed his perspective on life since becoming happy with who he is, which is evident in the album. Yes, once again, it is conscious, but there are uplifting lyrics this time. He also has a few collaborations on the album with Ed Sheeran and Koffee, among others.

The record starts with ‘Love Me More’ delving into Sam’s love for Gospel. The lyrics themselves are pretty dark. I will now go into why the album has shown Sam a bit more diverse sound this time. First, I already mentioned the opener ‘Love Me More’. He dives into RnB with ‘Perfect’ and then into the disco-infused ‘Perfect, where he discovers how he has learnt to accept himself as whole.

The one that did take me by surprise was ‘Unholy’. It has a Grime quality to it, and to be honest, the song’s theme fits the music. Sam foretells about a family man who indulges in unprotected sex.

There are plenty of more RnB tracks or his usual piano ballads. This isn’t the best for me, but the disco floor filler ‘I’m Not Here to Make Friends’ is a standout on the record, and you can go right when you get Calvin Harris to produce the track. The great Nile Rodgers would be proud of this one.

My favourite, however, is something I wasn’t expecting as I’m not too fond of extremely short tracks. The title track is fucking excellent; Sam is accompanied by a choir, as each lyric elevates and reverberates around the church the song is performed in. The album closes with ‘Who We Love’, a soft and gentle duet with Ed Sheehan where they talk about giving you into your heart because it knows who we love.

Sam surprised me this time. I was impressed he experimented with other genres, and it made the listen fly by rather than dragging on.

Song recommendations: ‘Gloria’, ‘I’m Not Here to Make Friends’, ‘Unholy’

7/10

Week Five: J Hus- Big Conspiracy

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It has been a very testing time for the vocalist from Stratford since the release of his debut album “Common Sense”, which charted at No.6 in the main chart and secured the top spot in the R&B chart. However, on this record, he doesn’t really talk about any of his personal problems during the past two years or so. If anything, this record is much wiser for a kid that is only twenty-three years old. Whatever it is that he was dealing with has seen him come out on the other side with a more mature point of view of the world. The debut was more spontaneous and had a sense of “I’ve made it, so I am going to have fun and live fast” attitude to it, whereas his follow-up shows more of his talents, and that he feels a lot more comfortable with the direction, he is heading in with his music.

You notice this from the title track alone and understand the hyperbole surrounding J Hus. Another thing I particularly like about the record is how the producer TSB has made it feel more like a live performance than a recorded record in a studio. I will need to check if the tracks were performed as a live show (albeit not to the public.) rather than the usual method of recording these days. Although this may be his record, the performance of icee tgm catches my ear on the opening two tracks. Especially on “Helicopter”. I recommend looking out for this talented female vocalist in the coming year.

She is not the only artist to be collaborating on the record. J Hus has opted to showcase himself more and use only three collaborations with icee tgm, Burna Boy and Koffee. Although some tracks have pop elements to them, their references to guns and sex, like “Play Play” and the very comedic “Cucumber”, might not be deemed radio-friendly enough for the mainstream singles chart.

As the album goes on, it gets darker and darker. I liked “Deeper Than Rap”, as you get a real insight into J’s life through the piano instrumental accompanying his autobiographical story. What is especially good about this record and why it deserved the top spot is that it blends all the sounds associated with the UK through the decades. It is ranging from Jungle, Drum & Bass, Garage, Grime and so forth. With Stormzy and now J Hus already scoring No.1 albums this year, it raises the stakes for other Grime artists to emulate.

9/10