I have never been a fan of this 2012 X Factor winner, nor do I believe he should be No.1 after a bullshit technicality. The Reytons outsold him, but James got it due to a complaint from some jobsworth in the industry. I believe this decision has marred this week’s chart. I wouldn’t be at all surprised if corruption was involved. Unlike a fair few of the former winners and contestants of the ITV talent show, James has grafted away while they have disappeared into obscurity. He also has a mad hairstyle—a cross between Mike Flowers and Tim Burgess without the bleach blonde.
“Bitter Sweet Love” is the fifth album released by James. Although he has distinctly husky and soulful vocals, how long has he got before this no longer carries him? Yes, it is different from the likes of Ed Sheeran and Harry Styles, and I am going to throw an obscure one from 2011, Josh Kumra, but they are versatile. When reading about this record or purely people’s opinions, I heard it was full-on rock. Really? Where? I heard some rock but also plenty of piano ballads and acoustic moments. The album is quite reflective. ‘Free Falling’, ‘Just Us’, and ‘Is It Alright?’ have some hard-hitting lyrics, but that’s about it. I tend to like piano ballads and acoustic songs, but they made this record disjointed, and you drift away because they are too frequent on what is allegedly a “rock album”.
The opener is the title track, which unfortunately turns out to be a false dawn. As I said, the record needs to maintain your interest. The title track, however, captures your attention with its bombastic sound. There are a few more moments like that on the album. ‘Blindside’ draws inspiration from the 1980s, and the highlight must be ‘Comeback Kid’. Now that is full-on rock. His attempts at being political on ‘New Generation’ fall flat. It had a nice rock feel, though.
Listen at your discretion, but I’m afraid there are too many moments when your concentration drifts away. The Reytons have been robbed, and this record didn’t deserve to “win”.
Song recommendations: ‘Comeback Kid’, ‘Bitter Sweet Love’, ‘Just Us’
What a turnaround in fortunes for Tom. Once, he had a budding football career that caught the attention of his local club, Luton Town, but he was let go at a young age. He then embarked on his next passion, singing, and his debut album, “Lighting Matches”, was very successful. Indeed, Tom’s song “Found What I’ve Been Looking For” became the official anthemfor Sky Sports Super Sunday coverage and was featured on the FIFA 18 soundtrack. However, he had another final chance atfootball when Luton Town’s former manager Graeme Jones offered him a trial in August 2019, just as Luton Town was starting the campaign in the SkyBet Championship since 2008. He is still singing and has released his second tells me that it wasn’t a fruitful trial at the Brache training ground.
The second album is called “Evering Road”,named after a street in Newham, East London. It is also where Tom lived with an ex-girlfriend. Was that before he got fame or after? However, he grew up in London as well as Bedford. As Tom hit his mid-twenties, he changed it up with “Evering Road” and made this record about his break-up with his ex-girlfriend from Newham, with whom he spent three years. He candidly discusses his toxic behaviour and thanks her for helping him learn the errors of his ways in this audio letter of apology that spans over 14 tracks. The record reflects the volatile relationship rather than Tom passing blame or asking for sympathy for his diabolical attitude. Tom has laid this record out to perfection; it is laid out in the order a story of the events that took place would have happened.
So, not only is this album an audio letter of apology, but it is also an autobiography. In other words, it is more like reading a book on this period of his life and, therefore, flows. Imagine when the live music world opens up again and hearing Tom perform these songs at Capital Radio Summerball 2022 at EE Stadium. Songs like “Little Bit of Love” are one of his singles, and they are very punchy pop that’ll get the crowd singing along. Then, you have “Something Better”, with its jumpy piano and soulful backing vocals, with the latter adding layers to the track, making it sound fuller.
In “Amen”, Tom has an almost gospel-like texture when discussing never going to church. Still, the Hozier-esque track is more about his struggles to make decisions that his heart is in rather than just making them without consideration. The song starts to lose its power towards the end, but then Tom turns it back on with his vocals and a message that’ll be open to interpretation by the listeners. When the tracks seem waning, Tom plays to his strengths to keep the listeners engrossed. “Oh Please”has a funk vibe, but the lyrics make the track stand out because Tom’s attitude has changedfor the better. Rather than being angry and having a chip on his shoulder, he becomes more mature and shows humility.
Of course, you have an album that sounds familiar to the debut; Tom has drawn on many artists who inspired him this time, on many genres and producers. As we have discovered, “Evering Road” is an audio letter of apology, and that comes across with pinpoint accuracy on “Sweeter Then”, which is a reflection on the many beautiful summer days he spent with her, and “Make up My Mind”, which is about confessing that he didn’t know what he wanted from the relationship. Instead of being honest, hetried to fight on without knowing how he felt. However, my favourite might be somewhat of a cliché is “Let’s Go Home Together”, featuring Ella Henderson.
This song was co-written by Ella with James Arthur and performed live with the two writers in question, but for some reason (Let’s face it, it isn’t a bad choice.)Ella elected to do it in the studio and on Tom’s album. You can hear an acoustic guitar playing while Ella exchanges verses with Tomand then sings the chorus in unison while playing a gentle piano ballad. As much as the track is romantic, it is laced with cheeky lyrics andinnuendos. What is odd about the song is that it is about a couple who have met in a bar/pub/nightclub and, upon exchanging a few words, find that they haven’t much in common, but once they are tipsy, they find each other quite attractive. Maybe this is how Tom felt about his ex,or he has discovered a new love interest in this manner.
Nevertheless, I enjoyed this track, and the cheekiness of it all was a lovely refrain from the usual heavy subject. It’ll be interesting to see where Tom goes from here because this is night and day compared to “Lighting Matches”. A more mature approach shows another side of him and for the better. He has addressed the issue and is learning what it is like to be an adult.
Song recommendations: “Let’s Go Home Together”, “Sweeter Then”, “Amen”