Week Forty-Five: Sam Smith- the Thrill of it All

6f15505d8b36fafa3549ced734b2697a.1000x1000x1

Well, it was the Brothers Howard and Guy Lawrence, aka Disclosure (A duo mainly consisting of garage and deep house.), who gave Sam his chance to break onto the scene when he appeared as a featured vocalist on the 2013 single “Latch” off their debut album, “Settle”—not forgetting his appearance on Naughty Boy’s garage track, “La La La”. Sam was well on his way to becoming a star in both of these appearances. His falsetto vocals, complete with emotion, were suited to both tracks. What followed was several top ten hits, Grammy awards and an Oscar for his 2015 song, “Writing’s on the Wall”, for the James Bond film, “Spectre”. 

Unfortunately, the song for the James Bond film didn’t have much power to it and was very undeserving of being the official song for the film. When you consider what has gone before regarding James Bond themes, mainly all iconic, but none lacking the action you see within the films. I wanted 2011’s “Freaky Teeth” by Noel Gallagher’s High Flying Birds to be the official song as it has power and even sounds ideal for the film (Noel is also a close friend of the current Bond, Daniel Craig.). 

So yeah. “Writing’s on the Wall” was far too tame to be the official theme. Anyway, back to his second album, “the Thrill of it All”. Well…it’s not very good and hasn’t improved much from his debut, “In the Lonely Hour”. That wasn’t an excellent record, but at least it was original. This record remains on that same level. Like most musicians, Sam would have looked to have turned it up, but unfortunately, here, he hasn’t.

When you see the stars featuring Lana del Rey and Frank Ocean, you can see the album should have had potential and been an upgrade to the debut record. “Baby, You Make Me Crazy” was way out of his comfort zone, and it worked. Far too often on this record, Sam retreats to his comfort zone and the same old same old. I’m afraid you’re not going to find anything groundbreaking on this record. It also appears to waste the talents of Timbaland on production.

Overall:

Well, not much to say really that I haven’t already said. A very mediocre record that doesn’t see Sam out of his comfort zone for an elongated period. Also, his lyrics were not up to much, considering he can sing. But all in all another album in the same vein as his debut and not much to write home about. This record (And his previous one) once again proves that I prefer Sam as a featured artist. 3/10

Week Three: the XX- I See You

Well, I couldn’t write a review during week two because Little Mix’s “Glory Days” was still strong at the album charts’ peak. There was a change, however, in week three, and here is my review of the XX’s “I See You”:

Dangerous:

The introduction is a message to let listeners know that the band is back with a bang (fanfare can be heard). The first thing I noticed about the opening track to “I See You” is that it has a UK Garage feel. There is even a break in it that includes the classic UK Garage sub-low bass that So Solid Crew used quite a bit, among others. The fanfare also makes a return during the chorus and the break.

Say Something Loving:

The pulse at the beginning will fool the listener because it fooled Me. The CD stopped working and was stuck rather than this being the intro to the song in what is the second single off the album. This song has a very laid-back melody, and Ollie’s vocals have remained strong. The song also has the classic signature feel, which has been present since the self-titled debut album.

Lips:

Singing that can be heard in the intro sounds choral (is that the word I am looking for to describe a Church choir?) The African continent certainly inspired the drumming used in the track. Also, there is a handclap that is deployed during the verses. The track ends before you get into it.

A Violent Noise: 

I found this track to be very chilled out. During the verse, you can hear a quiet, steady drum beat that compliments the song well. Despite the track’s name, the song is anything but ferocious.

Performance: 

The light plucking of the electric guitar and the soft bass compliment Romy Madley Croft’s voice superbly. The passion and the emotion is also perfectly executed for the song. Again, as I found on most of the album, it has a very light, delicate and artistic touch included in the song. Violins can be heard towards the end and at the outro.

Replica:

Now, we are at the business end of the album (which, despite remaining chilled out, I have enjoyed listening to). The break with the pulsing keyboard seems like a build-up, but when the song kicks in during the break, there is still only a steady guitar riff and the keyboard is accompanied by a piano before there are more vocals and the track ends.

Broken For You:

The guitar solo before the mini-break is very subtle and calm. I listened to the crash of a gentle wave during this song; it is that relaxed.

On Hold:

This track was the teaser late last year for the forthcoming album and was released as the first single off the album. I enjoyed the riff of the electric and the bass guitar. The repetitive lyrics of the chorus always meant that this track was destined to be released as a single. During the intro and after the chorus, a sampled quote is repeated.

I Dare You:

Again, the XX have stuck to their guns and carried on the theme that has so far featured on the album (steady, calm and very chilled out, albeit the opening track). In the chorus, that classic hook is evident, and I couldn’t help but feel that the harmony used was inspired by Kings of Leon’s “Use Somebody”. Once again, the track is short and sweet, which also points towards a radio-friendly single.

Test Me:

The album’s conclusion has a very oceanic vibe as if you are deep-sea diving and exploring the wonders of the belly of the ocean and what it has to offer.

Overall Review:

I have been a fan of the XX since hearing “Islands”, and I thought the review would be quite elementary, but I must confess that I struggled somewhat as the album after the opening track doesn’t seem to deviate much. It is a good thing because, on the whole, it is yet again another good album by the band and fully deserving of its number-one placing, but it didn’t challenge me to write a longer review on each track. They say the XX is classed as Indie/Alternative, but I would say that “I See You” (albeit track one) sits comfortably in the chill-out genre. The vocals supplied by Ollie and Romy are again exemplary, and I can see the band continuing despite Jamie XX recently working on his solo material and DJing. I sensed that I was stranded on a desert island listening to the sound of the waves gently crashing onto the island’s shore, or I was exploring the wonders of the ocean whilst deep-sea diving. The album was short and sweet, with the play time lasting just 40 minutes. It also has plenty of radio-friendly tracks that can be used as future singles, for example, “I Dare You” and “Lips”. If you’re a fan of the XX, you will like this album regardless, but if you are not, you might feel that the album should have more go in it. 7/10