Dawn FM

Week 6: the Weeknd- Hurry up Tomorrow

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It is absolute nonsense that this will be the last album by the Weeknd. He has hinted that he might “kill” his alter ego and start again as Abel Tesfaye. He has also hinted that he might retire from music altogether, and I simply ain’t buying it despite what it says on the opening track ‘Wake Me Up’ on the intro. The album is the trilogy’s final part that includes “After Hours” and “Dawn FM”, both of which I have previously reviewed. Once again, the record is full of synthesisers and nods to that 80s retro sound, a style that has been a defining feature of his music of late. The only plausible reason this might be the final album is that he lost his voice onstage during a concert in 2022. He believes that it was some sign to tell him to stop while he was at his peak.

Abel went into acting in 2023 when he starred in The Idol, which could be another reason he wants to leave music behind. However, after hearing about the drama, it appears he should stick to music. Of course, on his previous album, “Dawn FM,” which was about a radio station in the afterlife, he talked about the end of his alter ego, but this time, he does appear to be hinting at leaving music.

His latest instalment, “Hurry up Tomorrow”, kind of acts as a film as it lasts 88 minutes. He has the legendary Giorgio Moroder on ‘Big Sleep’, which features the score from Scarface, and there is a nod to the film Eraserhead. I heard Abel also wrote a film to accompany the record. It is not your usual short film for an artist, but a full-length film starring him. There are several covers for the sleeve, and the used for streaming platforms looks like a film poster. Again, with these two things alone, Abel is hinting that his heart now belongs on screen.

Unlike his previous albums, where his alter ego’s malevolent nature was a dominant theme, this album presents a more nuanced perspective. The evil side of his alter ego is a rare occurrence, adding an element of intrigue and curiosity for the audience.

While the production is mostly enjoyable, the lyrics and subject matter fall short. If this is the artist’s final work, it’s a departure that lacks his usual style. The constant lamenting about wealth and fame becomes tiresome. Is it a great shame that this is how he has chosen to exit the music scene? The title track that concludes the record holds a surprise-a hidden track featuring a section of his legendary ‘The Hills’. This hidden gem serves as a reminder of the artist’s legacy, but it’s a bittersweet note to end on.

Song recommendations: ‘Big Sleep’, ‘Wake me up’, ‘Hurry up Tomorrow”

7/10

Week 2: the Weeknd- Dawn FM

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I cannot believe I hadn’t written a review since late November when Adele released “30” and then proceeded to hold on to the top spot for the majority of December before being overtaken by Ed Sheeran in the first week of the new year. However, it was widely known that the Weeknd’s “Dawn FM” would take the top spot. It is quite a quirky little record with its premise of you listening to the radio, complete with jingles and advertisements featuring the likes of Jim Carrey and Quincy Jones, to name a few. It made the interludes more intriguing, although I did skip them because you all know my opinions on interludes. Abel has gone for that 80s feel again, as he did on the previous album that spawned the 2020 ‘Blinding Lights’ track and featured on the Mercedes advertisement. It sounds futuristic and retro, with music by Daft Punk and Nile Rodgers. The aforementioned do not feature on the record save for some samples. The production this time includes Calvin Harris and Swedish House Mafia, among others. 

Another thing you will notice about the album is you are listening from inside your vehicle in a traffic jam, but you are dead. It is quite a dark concept. Why, you ask? The theory follows from the previous records where the narrator has finally met his end. Is that true? It could be because the lyrical content seems to suggest it. As we know, Abel talks about drug use and the perils of it and sex in a non-romantic way. 

Abel can sometimes be compared to the Cure for his use of gothic elements but still staying sonically within the chart-friendly confines. 

So, you have him discussing gothic things, but the music fits nicely with the singles charts and takes the edge off, like the Cure executed perfectly in their prime. Since then, the band has gotten darker, but they balance out their shows with those pop classics we grew up with (Well, it depends on who is reading this and how young you are.). Abel, thus far, has kept it under a tight lid, but he unleashes the gothic narrative from Pandora’s box on this record.

This album would make an excellent soundtrack for a remake of Buck Rogers or the gang warfare classic the Warriors. My favourite track was ‘Take My Breath’; I heard the sample of Daft Punk’s ‘Da Funk’ and Nile Rodgers-esque guitar playing. I particularly enjoyed the “Alternate World” section with a remix of ‘Take My Breath’ featuring Agents of Time. It felt like a moment of being in a club, enjoying life and reaching up as the song reaches the drop. I cannot wait for the club-inspired remix to be played out across nightclubs worldwide. So, with “Dawn FM”, we have an album where you listen to the radio while stuck in a traffic jam en route to the other side with lost souls DJing or on advertisements, not fully accepting that they are no longer alive. It is quite a departure from Abel’s usual subjects. He appears to have matured and is willing to refrain from talking about drugs and sex. Although the music may be uplifting 80s, the topics are far darker.

Song recommendations: ‘Take My Breath’, ‘Take My Breath(Remix)’, ‘Out of Time’

8/10